I expect most will not really be interested, but here is more information if you are: The Dormition of the Theotokos
I expect most will not really be interested, but here is more information if you are: The Dormition of the Theotokos
Currently reading this fascinating, sometimes painful, and also inspiring true story of Hanna Zack Miley, rescued from certain death when she was seven years old thanks to the Kindertransport, "an epic rescue effort that would save 10,000 Jewish children from Hitler's Nazi regime by granting them safe passage to England" during World War II.
A documentary film (I was 8814) has also been produced. In 2025 it was awarded Best Documentary at the Berlin Indie Film Festival, Best Documentary Feature at the Austin International Film Festival, and Best Biographical Feature Film at the World Film Festival in Cannes. I have not seen the film yet but plan to watch it online (via this link) after I finish the book.
Just a small corner on one shelf among all the bookshelves here . . .
An old-fashioned glass pop bottle (you recognize the brand, right? Even though it's written in Hebrew?) that I brought home with me from my first visit to Israel in 1974. It was empty for years but I filled it with pancake syrup a couple of decades ago so that the beautiful Hebrew lettering would stand out.
A small oval icon of the Incarnation (Madonna and Child in western terms) that my Orthodox Christian Godmother brought me from a monastery in Greece a few years ago.
A glass box full of small white moonstones that I gathered along the shore of a lagoon near my home when I was still in high school about 1966.
Some books waiting to be finished or started, the authors mostly from countries somewhere across the sea: Serbia, Russia, Mount Athos in Greece . . .
It's a well-traveled little corner, spanning the years of my life, while also wandering across several countries far and wide. My own international wanderings are limited to Israel, Jordan, England, Wales, and France, all so many years ago. These days I wander around the world only virtually; my traveling days are over. But I am quite satisfied with that.
Artist: Rudolf Ribarz (Austrian 1848-1904)
Sharing this quote from Saint Paisios the Athonite
The answer to our anxiety is not drugs, alcohol, tranquilizers, or psychiatric treatment. It will not be cured by Yoga or some new age or eastern meditation practice. The problem is that we have lost God as the center of our lives. Once we make our love of God the primary focus of our lives and allow His grace to work through us, then no matter what circumstance we encounter in life we will be comforted and embraced in His love. All anxiety disappears. This is the aim of the Orthodox way of life--to put God first and seek the Holy Spirit. The anxieties of modern life are only symptoms of our separation from God.
A (very) small dish of seashells,
gathered on a beach in Greece a year ago
not by me
but by a dear friend.
This little stone heart above is smaller than my thumbnail.
Miniature pebbles and stones, and a seashell or two . . .
Lovely little things to delight and enchant.
I'm dreaming of Greece.
I've never been there and may never visit, but who knows?
I would go to see the ancient sites and the churches and monasteries.
A review of her work by the poet Muriel Grainger describes her achievement: “She is unique in being a writer of extremely popular romances which are at the same time fundamentally religious. Not that Miss Goudge sets out to ‘put Christianity across’. The love of God; the power of prayer, the reality of the Kingdom of the Spirit — these things are woven into the fabric of her plots with a naturalness and inevitability that come from Miss Goudge’s own convictions and experience, and it is this factor that make them so acceptable and so telling.”
Goudge’s autobiography The Joy of the Snow is a self-deprecating assessment of her own life, and shows deep Christian joy and gratitude. But, in a new biography of Goudge by Christine Rawlins, Beyond the Snow, we learn that, beneath the joy, there was considerable suffering: mental and physical illness, lost love, the burden of caring for her mother. She had been an intensely withdrawn only child, with a stammer, and suffered from muscular-skeletal pain throughout her life. She even experienced a nervous breakdown after an operation in 1937.
In a preface for a volume of poetry written by the Sisters of Burnham Abbey, Goudge describes the the Sisters’ vision with deep insight: “Because they see all life and creation irradiated by the love of God, they see in depth; a sunrise means more than itself and pain has purpose. Yet the unity of outlook cannot dim the individuality of each separate poem. When love is the creating power, it seems impossible for two sparrows’ feathers, or even two snowflakes, ever to be the same. The stronger the microscope, the less are they alike. This is the way God likes it.”
So she took a vow to love. Millions before her had taken the same simple vow but she was different from the majority because she kept her vow, kept it even after she had discovered the cost of simplicity. Until now she had only read her Bible as a pious exercise, but now she read it as an engineer reads a blueprint and a traveler a map, unemotionally because she was not emotional, but with a profound concentration because her life depended on it. Bit by bit over a period of years that seemed to her long, she began to get all her scaffolding into place. She saw that all her powers, even those which had seemed to mitigate against love, such as her shrewdness which had always been quick to see the faults of others, her ambition and self-will, could by a change of direction be bound over in service to the one overmastering purpose. She saw that she must turn from herself, and began to see something of the discipline that that entailed, and found too as she struggled that no one and nothing by themselves seemed to have the power to entirely hold her when she turned to them.
Here is truth. Here is love, Here is deep and abiding joy that is centered only in God, the source and fountainhead of everything. Here is glorious servanthood of the creature to the Creator.It was then that the central figure of the Gospels, a historical figure whom she deeply revered and sought to imitate, began at rare intervals to flash out at her like live lightning from their pages, frightening her, turning the grave blueprint into a dazzle of reflected fire. Gradually she learned to see that her fear was not of the lightning itself but what it showed her of the nature of love, for it dazzled behind the stark horror of Calvary. At this point, where so many vowed lovers faint and fail, Mary Montague went doggedly on over another period of years that seemed if possible longer and harder than the former period. At some point along the way, she did not know where because the change came so slowly and gradually, she realized that He had got her and got everything. His love held and illumined every human being for whom she was concerned, and whom she served with the profound compassion which was their need and right, behind the Cathedral, the city, every flower and leaf and creature, giving it reality and beauty. She could not take her eyes from the incredible glory of His love. As far as it was possible for a human being in this world she had turned from herself. She could say, "I have been turned," and did not know how very few can speak these words with truth.